Craft stained glass at home
Stained glass has a shallow how-to literature and a deep art-historical one, so this path deliberately draws on both. The technique books teach you to cut, came and solder; the history books teach you what the medium is capable of, which is what stops a first project from being a suncatcher and nothing more. Several titles here are decades old, and that is fine — the craft's tools and chemistry have barely changed since the 1960s.
The craft itself
BeginnerLearn to score, break, foil or lead, and solder a panel that holds together.

The gentlest starting point: a handful of small projects that each introduce one skill, in an order that means you never need a technique you have not met. Start here if you have never cut glass.

The Isenbergs ran a studio and a supply business, and it shows — this is the book that anticipates the problems of someone working alone at a kitchen table, from what to buy first to why your solder is beading instead of flowing.

Reyntiens was a working glazier as well as a scholar, and this is the technical book he wrote for people who wanted to do it properly. Older and more demanding than the beginner titles, and the one to graduate to.
What the medium can actually do
IntermediateDevelop an eye by studying the tradition, so your own designs have somewhere to aim.

A compact British handbook from the era when this was still a trade taught by apprenticeship. Divine writes about lead came and glass painting with an assumption of seriousness that most modern hobby books avoid.

Raguin's survey is the best single account of the medium from medieval cathedrals to the twentieth century. Read it for the sense of what light through coloured glass has been made to do — the ambition on display reframes what you attempt yourself.

Tiffany's studio invented the copper-foil method most beginners now learn first, and pushed opalescent glass further than anyone before or since. Worth studying closely because his work is the direct ancestor of the technique in your hands.
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